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Critical Feminist Studies Critical Feminist Studies dedicates itself to work that builds upon, even as it critiques, the institutions and practices of Women's and Gender Studies, focusing in particular on transnational formations and movements, queer and sexuality studies, and politics, practices, and representations. Carla Freccero and Sarah Rasmusson (co-chairs)	0	0	n/a
Cultural Policy Studies The cultural policy studies division is concerned with the historical and contemporary processes and institutions regulating and supporting culture in public life. Bridging practice and theory, this division welcomes scholarly and activist work that addresses the wide range of government and industry policies that shape cultural industries in global, national, and local contexts. Particular attention is paid to questions of social inequality and cultural justice. Gunn Sara Enli and Joseph Terry (co-chairs)	0	0	n/a
Cultural Studies and Literature Socio-historical constructions of certain pleasures, knowledge, and experience in literature are often naturalized under the rubric of "fiction." As such, the section on Cultural Studies and Literature calls for a reading of literature that highlights its historical engagement in the social construction of knowledge and interpretation of experience. Helen Kapstein and Caroline H. Yang (co-chairs)	0	0	n/a
Culture and War The CSA Division on Culture and War is dedicated to scholarly and activist work on the cultural aspects of war and militarism, encompassing rhetoric and language, news and mass media, fictional texts and representations, documentary film and video, new media and other cultural forms. The Division welcomes interventionist and critical work on wars past and present, as well as on the everyday militarization of society, from historical, theoretical, global and interdisciplinary perspectives. Cynthia Fuchs and Anthony Grajeda (co-chairs)	0	0	n/a
Environment, Space and Place The CSA Division on Environment, Space and Place spans the union of cultural studies and geography. Approaching culture as spatial allows for powerful analyses of dominance and resistance, style, consumption, identity, ideology, as well as human-environment relations. Space and place—and representations thereof in various media—both result from and reassert force on culture. The Division welcomes discussion in all areas pertaining to environment, space and place, past and present, and encourages interdisciplinary consideration of these topics. Douglas Herman (chair)	0	0	n/a
Globalisms The CSA Division on Globalisms is interested in providing a forum for the voices of the globalized. With the awareness that we are beginning en media res and that we are working with a binary system that currently is not capable of providing an accurate appraisal of either process nor product, this division hopes to be able to provide support and forum for those interested in constructing a model for thinking globally, and exploring what that means, that works without reifying old distinctions. Lesliee Antonette (chair)	0	0	n/a
Media and Cinema The Media and Cinema Division pursues the history and cultural politics of cinema and of related media. Approaches include film theory, ethnography, political economy, and textual analysis. Evan Heimlich (chair)	0	0	n/a
Media Interventions The Media Interventions Division provides an interdisciplinary forum for scholarship and activism related to alternative, citizens, community, and DIY media. The Division promotes theoretical development in the realm of interventionist media form, content, and practices. In addition, the Division welcomes practitioner perspectives on the intersection between cultural studies, political economy, and prefigurative media politics. Kevin Howley (chair)	0	0	n/a
Pedagogy The Pedagogy division includes a focus on culture and education, cultural pedagogy, and the curriculum of cultural studies. Pedagogy, broadly conceived and critically understood in this context concerns a wide range of issues taken up in cultural studies including but not limited to mass media, popular culture, subculture, public culture, nationhood, postcolonialism, political economy, identity, race, class, gender, sexuality.	0	0	n/a
Racial and Ethnic Studies The purpose of the Racial and Ethnic Studies Division is to serve as a vehicle to mobilize the production and interrogation of research, theory, teaching, and activism directly concerned with race and ethnicity and their various dimensions (e.g., age, class, culture, economy, education, gender, history, labor, migration, nationality, politics, religion, and sexuality, among many others). Toward these ends, the encouragement of scholarly collaboration across and between disciplinary, methodological, and theoretical boundaries shall be promoted. Matthew W. Hughey (chair)	0	0	n/a
Technology The Cultural Studies Association Technology Division concerns itself with matters of post-humanism, post-evolution, trans-humanism, cyborgism, and cyberculture in all its manifesta-tions. Technology related studies of mediated environments, gender, sexuality, race/ethnicity, identity, information, prosthetics, pharmaceuticals, medicine, genomics, distributed consciousness, and embodiment are among the particular contexts investigated. Radhika Gajjala (chair) and Steve Luber (vice chair)	0	0	n/a
Theories of Cultural Studies The Division of Theories of Cultural Studies is interested in promoting a broad range of theoretical work that includes not only theories of culture and its practices but also theoretical work in other areas such as politics, philosophy, language and literature studies, art, etc. as they intersect with cultural studies. We are also interested in work that thematizes cultural studies and its relation to other academic, institutional, and political practices. Henry Krips (chair)	0	0	n/a
Visual Culture The CSA Visual Culture Division represents the multi- and inter-disciplinary study of the visual as a primary site for the production and contestation of meaning. The Division is thus concerned with visual forms and visuality, including images, visual media, image technologies, surveillance, theories of spectatorship, visual experience, and visual literacy. Randal Rogers (chair)	0	0	n/a